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Troy$85432$ - vertaling naar Engels
, Turkey (7446237818).jpg?width=200 "Anatolian Grey Ware")
, Turkey (7446656654).jpg?width=200 "Artist's representation of House VI M, part of the palatial complex")
![adj=on}} samples of [[germanium]], [[iron]], [[aluminium]], [[rhenium]] and [[osmium]]](https://commons.wikimedia.org/wiki/Special:FilePath/Ingots of Ge, Fe, Al, Re, Os, one troy ounce each (2).jpg?width=200 "adj=on}} samples of [[germanium]], [[iron]], [[aluminium]], [[rhenium]] and [[osmium]]")
![Palladium]] before eyes of [[Priam]], fresco from the [[Casa del Menandro]], [[Pompeii]]](https://commons.wikimedia.org/wiki/Special:FilePath/Ajax drags Cassandra from Palladium.jpg?width=200 "Palladium]] before eyes of [[Priam]], fresco from the [[Casa del Menandro]], [[Pompeii]]")
![pileus]]](https://commons.wikimedia.org/wiki/Special:FilePath/Antonio Canova-Helen of Troy-Victoria and Albert Museum.jpg?width=200 "pileus]]")
![Meeting between Paris and Helen. Antique fresco in [[Pompeii]], the House of the Golden Cupids](https://commons.wikimedia.org/wiki/Special:FilePath/Casa degli Amorini Dorati (Pompei) WLM 020.JPG?width=200 "Meeting between Paris and Helen. Antique fresco in [[Pompeii]], the House of the Golden Cupids")
![Antique fresco depicting Helen and Menelaus, from the Casa dell'Efebo, [[Pompeii]]](https://commons.wikimedia.org/wiki/Special:FilePath/Casa dell'Efebo 0058 (cropped).jpg?width=200 "Antique fresco depicting Helen and Menelaus, from the Casa dell'Efebo, [[Pompeii]]")
![1585 portrait]] is disputed) play ''[[The Tragical History of Doctor Faustus]]'' (1604) is the source of the famous quote "Was this the face that launched a thousand ships / And burnt the topless towers of Ilium?",<ref name="Maguire2009" /> although the line is ultimately derived from a quotation in [[Lucian]]'s ''Dialogues of the Dead''.<ref name="Maguire2009" /><ref name="Casson" />](https://commons.wikimedia.org/wiki/Special:FilePath/Christopher Marlowe.jpg?width=200 "1585 portrait]] is disputed) play ''[[The Tragical History of Doctor Faustus]]'' (1604) is the source of the famous quote \"Was this the face that launched a thousand ships / And burnt the topless towers of Ilium?\",<ref name=\"Maguire2009\" /> although the line is ultimately derived from a quotation in [[Lucian]]'s ''Dialogues of the Dead''.<ref name=\"Maguire2009\" /><ref name=\"Casson\" />")
![red-figure]] [[krater]] c. 450–440 BC ([[Paris]], [[Louvre]])](https://commons.wikimedia.org/wiki/Special:FilePath/Helen Menelaus Louvre G424.jpg?width=200 "red-figure]] [[krater]] c. 450–440 BC ([[Paris]], [[Louvre]])")
![Helen boards a ship for Troy, fresco from the [[House of the Tragic Poet]] in [[Pompeii]]](https://commons.wikimedia.org/wiki/Special:FilePath/Helen of Sparta boards a ship for Troy fresco from the House of the Tragic Poet in Pompeii.jpg?width=200 "Helen boards a ship for Troy, fresco from the [[House of the Tragic Poet]] in [[Pompeii]]")
![Helen of Troy]]'' by [[Evelyn De Morgan]] (1898, London); Helen admiringly displays a lock of her hair, as she gazes into a mirror decorated with the nude Aphrodite.](https://commons.wikimedia.org/wiki/Special:FilePath/Helen of Troy.jpg?width=200 "Helen of Troy]]'' by [[Evelyn De Morgan]] (1898, London); Helen admiringly displays a lock of her hair, as she gazes into a mirror decorated with the nude Aphrodite.")
![''The Love of Helen and Paris'' by [[Jacques-Louis David]] (oil on canvas, 1788, Louvre, Paris)](https://commons.wikimedia.org/wiki/Special:FilePath/Helene Paris David.jpg?width=200 "''The Love of Helen and Paris'' by [[Jacques-Louis David]] (oil on canvas, 1788, Louvre, Paris)")
![Homeric Greece]]; Menelaus and Helen reign over Laconia](https://commons.wikimedia.org/wiki/Special:FilePath/Homeric Greece-en.svg?width=200 "Homeric Greece]]; Menelaus and Helen reign over Laconia")
![Wilton]]). The artist has been intrigued by the idea of Helen's unconventional birth; she and Clytemnestra are shown emerging from one egg; Castor and Pollux from another.](https://commons.wikimedia.org/wiki/Special:FilePath/Leda and the Swan 1505-1510.jpg?width=200 "Wilton]]). The artist has been intrigued by the idea of Helen's unconventional birth; she and Clytemnestra are shown emerging from one egg; Castor and Pollux from another.")
![[[Theseus]] pursuing a woman, probably Helen. Side A from an Attic red-figure bell-krater, c. 440–430 BC ([[Louvre]], Paris).](https://commons.wikimedia.org/wiki/Special:FilePath/Theseus pursuit Louvre G423.jpg?width=200 "[[Theseus]] pursuing a woman, probably Helen. Side A from an Attic red-figure bell-krater, c. 440–430 BC ([[Louvre]], Paris).")
![Croton]].</ref>](https://commons.wikimedia.org/wiki/Special:FilePath/Zeuxis et les filles de Crotone.jpg?width=200 "Croton]].</ref>")
![The Abduction of Helen]]'', painting by [[Girolamo Genga]], circa 1510 ([[Musée des Beaux-Arts de Strasbourg]]).](https://commons.wikimedia.org/wiki/Special:FilePath/Girolamo Genga L'enlèvement d'Hélène.JPG?width=200 "The Abduction of Helen]]'', painting by [[Girolamo Genga]], circa 1510 ([[Musée des Beaux-Arts de Strasbourg]]).")
![In western painting, Helen's journey to Troy is usually depicted as a forced abduction. ''The Rape of Helen'' by [[Francesco Primaticcio]] (c. 1530–1539, [[Bowes Museum]]) is representative of this tradition.](https://commons.wikimedia.org/wiki/Special:FilePath/Francesco Primaticcio 003.jpg?width=200 "In western painting, Helen's journey to Troy is usually depicted as a forced abduction. ''The Rape of Helen'' by [[Francesco Primaticcio]] (c. 1530–1539, [[Bowes Museum]]) is representative of this tradition.")
![In [[Guido Reni]]'s painting (1631, Louvre, Paris), however, Paris holds Helen by her wrist (as he already did in Genga's painting shown here on the left), and leave together for Troia.](https://commons.wikimedia.org/wiki/Special:FilePath/Enlèvement d'Hélène, Reni (Louvre INV 539) 09.jpg?width=200 "In [[Guido Reni]]'s painting (1631, Louvre, Paris), however, Paris holds Helen by her wrist (as he already did in Genga's painting shown here on the left), and leave together for Troia.")
![El Juicio de Paris]]'' by [[Enrique Simonet]], c. 1904. This painting depicts Paris' judgement. He is inspecting Aphrodite, who is standing naked before him. Hera and Athena watch nearby.](https://commons.wikimedia.org/wiki/Special:FilePath/Enrique Simonet - El Juicio de Paris 1904.jpg?width=200 "El Juicio de Paris]]'' by [[Enrique Simonet]], c. 1904. This painting depicts Paris' judgement. He is inspecting Aphrodite, who is standing naked before him. Hera and Athena watch nearby.")
![Frederick Leighton]].](https://commons.wikimedia.org/wiki/Special:FilePath/Leighton Helen of Troy.jpg?width=200 "Frederick Leighton]].")
![In a similar fashion to Leighton, [[Gustave Moreau]] depicts an expressionless Helen; a blank or anguished face.](https://commons.wikimedia.org/wiki/Special:FilePath/Helen Moreau.jpg?width=200 "In a similar fashion to Leighton, [[Gustave Moreau]] depicts an expressionless Helen; a blank or anguished face.")
![[[Lithograph]]ic illustration by Walter Crane](https://commons.wikimedia.org/wiki/Special:FilePath/Often she would stand upon the walls of Troy.jpg?width=200 "[[Lithograph]]ic illustration by Walter Crane")
Definitie
Wikipedia
Troy in the Late Bronze Age was a thriving coastal city consisting of a steep fortified citadel and a sprawling lower town below it. It had a considerable population and extensive foreign contacts, including with Mycenaean Greece. Geographic and linguistic evidence suggests that it corresponds to the city of Wilusa known from Hittite texts. Its archaeological sublayers Troy VIh and Troy VIIa are among the candidates for a potential historical setting for the myths of the Trojan War, since aspects of their architecture are consistent with the Iliad's description of mythic Troy and they show potential signs of violent destruction.
